The author of the classic writing text Bird by Bird digs into her views on motherhood in this piece from Salon. From this, we can see how a certain amount of dramatization can increase the impact of your message-even if that wasn’t exactly the way something happened.Ģ. Shteyngart imagines a Manhattan that physically changes around him when he’s using his iPhone, becoming an almost unrecognizable world. Just because a piece of writing is technically nonfiction, that doesn’t mean that the narrative needs to be literal. The downfalls of technology is hardly a new topic, but Shteyngart’s story remains evergreen because of how our culture has only spiraled further down the rabbit hole of technology addiction in the intervening years. But once he leaves for the country, and abandons the convenience of a cell phone connection, the real world comes rushing back in and he remembers what he’s been missing out on. ![]() He’s completely lost to the magical happenstance of the city as he “follow the arrow taco-ward”. ![]() In this narrative, Shteyngart navigates Manhattan using his new iPhone-or more accurately, is led by his iPhone, completely oblivious to the world around him. Published in 2010, just as smartphones were becoming a ubiquitous part of modern life, this piece echoes many of our fears surrounding technology and how it often distances us from reality. Personal narratives don’t have to be long to be effective, as this thousand-word gem from the NYT book review proves.
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